December 30, 2009

Miss Jones is Back–And The Devil Sounds Like Hope Sandoval

Culture, Music No Comments

In the 70s, Georgina Spelvin starred in a flick that has become iconic in the porn genre: The Devil in Miss Jones.

Directed by Gerard Damiano, who had worked on Deep Throat a year prior, The Devil in Miss Jones is a perverse tale of abandon and despair that perfectly encapsulates my greatest fear: a life of release that meets a tragic end in the eternal fire of indifference.

Spelvin, now 73, is back, in Massive Attack’s “Paradise Circus” video. Toby Dye creates a masterful montage of an interview with the porn actress and scenes from the film, where she is 36.

It is a bizarre mind trip buoyed on the sweet vocals of Massy Star’s Hope Sandoval that exposes an aspect of the adult entertainer in a way no music video ever has.

Watch for yourself (or, if you’re at work or otherwise unable, read the transcript below):

Massive Attack Paradise Circus from sabakan on Vimeo.

Spelvin: I, at one time tried my hand at being a prostitute–you know, doing tricks for money with a very nice madam and just completely bombed. I just was no good at it. I absolutely could not manufacture the excitement, the sexual excitement i needed in order to have sex. So plenty people would ask me how could you do it in front of a camera then? The truth of it, when there is a camera running, it is so thrilling. God help me, I love the camera.

Sandoval: It’s unfortunate that when we feel a storm, we can roll ourselves over ’cause we’re uncomfortable. Oh where the devil makes us sin but we like it when we’re spinning in his grip.

Spelvin: The fact that it was a fuck film–I was frightened to begin with. But there is something about making a movie when you are in the film set. Anything is possible. The narrative of sex–of course first there is attraction: our hearts beat fast and our palms get sweaty and I get a tingle on the outside of my arms. Foreplay: getting to know each other, and knowing exactly what the other person’s sexual triggers are, whether it’s the little spot behind the ear, the inside of the elbow, the kiss on the neck, the flittering of the tongue across the clitoris.

Sandoval: It’s unfortunate that when we feel a storm, we can roll ourselves over when we’re uncomfortable. Oh, well the devil makes us sin but we like it when we’re spinning in his grip.

Spelvin: Oh, boy. An orgasm is that point in time that can’t be measured. A mystical instant that doesn’t really exist in this dimension.

Sandoval: Love is like a sin, my love, for the one that feels it the most. Look at her with a smile like a flame–she will love you like a fly will never love you, again.

Spelvin: I will have to confess that the eroticism and excitement being expressed was very deliberate. It’s not something that I said oh my god this is the most wonderful thing in the world, I can’t wait to do this again. Probably the most uncomfortable and humiliating thing I’ve ever done on film. But nonetheless there I was because the truth of it is: I love the camera. We are our own devil.

This is a single from Massive Attack’s album Heligoland, due out February 9.

Image from IMDB.

AV Flox

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